Barbara's Meanderings

Penny is here courtesy of the Red River Writers Blog Tour. I am also associated with this wonderful group led by April Robins. It is a very supportive group for writers of all genres. If you follow this blog you know I was on Blog Talk Radio in June. What you don't know is that I am going to be on Blog Talk Radio again. Only this time I will be talking about my adult story. I'm not sure of the time, but I will definitely let everyone know about it.

Here is more info for Penny:

Penny Lockwood Ehrenkranz

plehrenkranz@gmail.com
pennylane97053@yahoo.com
http://pennylockwoodehrenkranz.blogspot.com http://twitter.com/pennyehrenkranz

Ghost for Rent
http://store.fictionwise.com/servlet/mw?t=book&bi=8656&si=42

Dragon Sight
http://www.genremall.com/fictionr.htm#dragonsight

Now on to our guest author interview.

Barbara: Which do you like to write more, fiction or non-fiction?

Penny: It's probably fairly even, although I have published more
non-fiction. I love to write fiction, but I learned early on in my writing career that it's easier to sell non-fiction. Not as many people want to write it. Magazines have a greater need for it. For the most part, it pays better.

Barbara: How do your own experiences help you in your writing? Did you put any of them into Ghost for Rent?

Penny: My own experiences tend to show up in my writing, particularly the non-fiction. Most of the non-fiction I've written is based on either personal experience as a parent, my volunteer work and training,or my non-writing paid jobs. As for personal experiences showing up in Ghost for Rent, I would say the following relate to my own experiences:1. Wendy's mom is a writer. 2. Wendy likes to write poetry. 3. Wendy believes in Ghosts. 4.Wendy has an older brother. 5. Wendy lives in Oregon. Although I'm the writer, not my mom, as a child I wrote poetry, I believed in ghosts, I had an older brother and while I didn't grow up in Oregon, I do live there now.

Barbara: How long did it take until Ghost for Rent was accepted for
publication?

Penny: I only submitted to one publisher, Hard Shell Word Factory, in February, 1999. I queried with a synopsis. In June, they asked that I send the full manuscript, which I did. They requested a rewrite of some parts of the manuscript in December, 1999. I completed the rewrite and returned it in January of 2001. They accepted and sent me a contract. The book was published in May of 2002 as an eBook and a print on demand
trade paperback was available in June, 2002.

Barbara: Do you have an agent? Do you think authors need an agent?

Penny: I don't have an agent. I chose to publish with an electronic book publisher because I've heard how difficult it is to publish with traditional houses. While I've had success with magazine articles and short stories, I didn't feel like I had much chance of making it out of the slush pile. I've been happy with my choice. As a first time novelist, I felt excited to hold my book in my hands and to know that I had a novel published. It's been a learning experience. I know a lot of people feel like they need an agent. I think it's a personal choice. There are so many publishing options available these days, and many don't require an agent. I think authors need to decide what works best for them and pursue that option.

Barbara: You have your book published in three different formats
including an ebook. What do you think of the future of ebooks?

Penny: Actually, only two formats. One is the eBook, the other is a print on demand trade paperback. When eBook readers become more affordable, I think eBooks will become more popular. Personally, I like to hold a book when I read it. This is one reason I liked working with Hard Shell Word Factory since they did offer the print on demand paperback version. Then again, it's also nice to know that a tree isn't destroyed to create an eBook.

Barbara: What do you think of digital readers such as Kindle and
Kindle 2?

Penny: I haven't had any experience using digital readers, so I can't respond to this question.

Barbara: How are you marketing your book? Do you have any events such as book signings or radio spots planned?

Penny: I did a book signing at my local book store. I live in a small rural community, so it's harder to do anything big without traveling. Right now, I'm not in a position to do that. I also had some write-ups in our local newspapers. I am doing this blog tour now, and I'm curious to see if that will increase sales at all. When the book was first published, I really didn't have a clue how to market it. The publisher was supposed to do some marketing, but I don't think they did much.

Barbara: How much value do you think appearing on Blog Tours has been to your book sales?

Penny: Hopefully, it will help, but I won't know until I get my next royalty statement. This is an experiment for me as I'm not sure if there is a better way to do a blog tour. For example, are there specific types of blogs I should have approached? Should I have answered interview questions differently? Am I reaching the right people? I tried to find bloggers who were also children's authors to review the book. I thought they would be more likely to have an audience interested in learningmore about my children's novel.

Barbara: Do you have any works in progress that you can let us know about?

Penny: I just sent off a collection of my adult short stories (science fiction and fantasy) to a publisher. Several years ago several of these stories had been published as a collection by an eBook publisher.Unfortunately, that publisher went out of business. There aren't many publishers who want collections. I found one who might be interested. Ideleted some stories from the first collection and added some new ones.If the collection finds a home, it will be titled A Past and A Future.In addition to that, I am working (it's been a slow process with lots of interruptions) on the sequel to Ghost for Rent. The working title isGhost for Dinner.

Barbara: Is there anything else that you would like to say to our
readers?

Penny: Being a writer is one of the best professions I know. It's a lot of hard work and it can be frustrating at times, but it's so exciting to see your name in print. The one thing I learned later than I should have is that it's okay to be rejected. Being rejected means that you are writing and submitting. What one editor doesn't like, another might. If an editor offers suggestions to improve your manuscript, take a good look at what you've written and see if those suggestions might be a good idea. Don't be afraid to get your work out there. Even the best and most widely read authors get rejections.

Thanks for having me here today, Barbara. I've enjoyed our visit.

I've really enjoyed having you here too. After hearing how you got the idea for this book I really want to finish reading it. I hope to have the review up here next week! For anyone who wants to read it you can go to Amazon now and find it there. Check the badge on the side of the blog.

Thank you Penny for your excellent answers and please everyone who reads this leave a comment or question for Penny.

Until the next time, have a great weekend. Hope it stays sunny here and where you are.

Remember I'm on Twitter now and you can follow me: barbehr.

With this in mind, I typed both plays into my computer. And, then, I started merging them along a time line. Then, I started fusing characters together. King Duncan and Hamlet’s Father fused together. Gertrude and Lady MacBeth fused together. Hamlet, Malcolm, and Donalbain fused together. And, Claudius and MacBeth fused together.
Then, I got scared. It was working . . . too well.

So, I deflated Shakespeare. I took his beautiful words and melted them down into modern Southern vernacular. And, it still worked.

But, reading plays is a dying art. So, now, I’m writing the novelization of the play, entitled “Memphis Knights.” It gives me the opportunity to fill in the backstory. And, hopefully, it will be out this Fall.

What inspired you to begin writing?

Mick Jagger asked, “What can a poor boy do, ‘cept sing for a Rock’N’Roll band?”

When I was seven years old, one of my chores on the farm was to go out to the big trough and water the cows. And, in the mud around the big aluminum trough, I’d watch the ants crawl along and it reminded me of desert terrain in a TV show I was watching-- “Rat Patrol.” So, out of boredom, I’d tell myself little stories. And, I just knew that my stories would be what I’d be remembered for.

I felt the impulse to be creative early on and, in my neighborhood, there were not a lot of opportunities for upward mobility. There were musicians who played in church, but I couldn’t afford an instrument. I wanted to paint, but that required supplies I couldn’t get. But, as a writer, with a broken pencil and a scrap of paper, I knew I could be in business.

So, I took Mick Jagger seriously.

Would you share with us the story of how you got your first novel published?

There’s really not that much to tell. I wrote Rocket Man in the Summer of 1990. I wanted to be able to tell myself that I’d written something of value before I turned thirty. But, it sat in my strongbox for approximately fifteen years for two reasons. One, the further I went through graduate school, the more I heard about how impossible it was to get anything published. And, two, I found out years later that I have Avoidant Personality Disorder. In layman’s terms, that means a person received so much negativity in their childhood that their psyche simply saturates with it and can’t absorb any more. People with APD have an extremely difficult time dealing with rejection and negative feedback. So, I was caught between the proverbial Scylla and Charybdis, compelled to write and equally compelled to not go through the rejection process so common to pre-digital publishing. Self-publishing through Xlibris helped me negotiate those treacherous waters.

What do you think of the importance of networking in relation to book sales? Which social networks do you think work the best for marketing and why?

A writer has to be careful when networking. There are plenty of people who are willing to take free copies of your book, as long as you’re giving them away. But, that takes money out of your writing business; it doesn’t bring money into it.

So, you have to develop a business plan. How can money come into your writing business?
1) Book sales
2) Speaking engagements
3) Teaching opportunities

What else is critical to business? Advertising.

So, Sushi Tuesday is my loss-leader. At www.SushiTuesday.com, I am daily giving away literary product, so folks will sample my goods. Through direct visits to my site and through catching the feed via SinfoniaCircle, Twitter, and Facebook, I am building a loyal following around a brand-- the writers of Sushi Tuesday.

When I wrote the Sunday Op/Ed column for the Cleveland Daily Banner, there were more than a few people who would come up to me and tell me I was the reason they bought the paper. They wanted to hear what that Hooker boy had to say this week.

Think about it.

Professors don’t buy books. We have desk copies given to us. It’s ordinary folks who buy books. And, just like every other aspect of their lives, they’re looking for value. They want something that is thought-provoking and entertaining. They want to stretch their minds and they want people who will speak for them.

So, I give away samples. I build a customer base. And, every quarter, I get a royalty check from Xlibris.

Would you please share with our readers the steps of your writing process?

I write at two different speeds-- big project and small project.

With big projects, I’m very much a nuts-and-bolts kind of guy. I want outlines. I want character profiles. I want to know what’s going to happen before it happens.

With the small projects, the Sushi Tuesday essays, I keep my eyes and mind open for that story that comes across the screen that has a kink in it. With my FeedDemon RSS reader, I scan a ton of news stories every day, looking for that quirky story that I can bounce off of.

But, having done that ground-level work, I move to the next step. The story is told that, when Bette Midler is rehearsing her band, they bring in the sheet music and pass it out to the players. Then, twenty minutes later, they take up the music and the players make it their own. Within that twenty minutes, they’ve either gotten it or they haven’t.

The best writing advice I ever received was when a colleague of mine told me to “write about what breaks your heart.” You can block out movement all day long. You can tweak dialogue ad nauseum. But, then, you’ve got to get to that level of the text where you’re writing straight from your heart. When I have to stop typing so I can wipe my eyes so I can see the screen, I know I’m where I’m supposed to be.

And, the audience does, too.

How important do you think critique groups are for writers and do you have one?

The only thing I learned in creative writing workshops was how much I hated creative writing workshops. I avoid them. They are evil.

A friend of mine is trying to get one going and I’ve agreed to come in and do book reports about writing books. But, I want nothing to do with a hack-and-slash group.

Having said that, when I write a big project, I do assemble what I call The Greek Chorus. I want three people to read along as I’m writing, not unlike the judges on “American Idol.” Randy loves everyone that comes across the stage. Simon hates everyone who comes across the stage. And, Paula’s actually been on a stage. Likewise, I want one reader who loves everything I’ve ever written. I want one reader who hates everything I’ve ever written. And, I want one reader to be a fellow writer, someone who’s been in the trenches, too. I figure the truth will be somewhere in the middle.

All of your books are meant for adults. Have you ever thought of writing for a younger audience?

I have been working on a project for some time that could find a following among younger writers. It’s called “The Warrior’s Guide to the Battle of the Sexes.”

Years ago, I ran across a translation of Sun-tzu’s Art of War and the back cover blurb talked about how it was the definitive work on conflict management and that, whether it was two companies vying for the same market or two armies on the same field or two people in a relationship, the rules of resolving conflict were the same.

Two people in a relationship.

It dawned on me that any two people could be a couple, as long as everything was going good. But, it was during the conflicts that couples broke up.

I realized, also, that guys were clueless when it comes to relationships. Women have entire sections of bookstores devoted to them understanding relationships. But, men didn’t get diddly.

So, the premise of “The Warrior’s Guide to the Battle of the Sexes” is a fictional advice column written for guys about relationships. And, the columnist takes something men don’t understand (relationships) and relabels it with something men understand instinctively (war).

I can sit down with any guy and listen to his awful love-life and then retell him what he just told me, using military jargon, and see the light-bulb go off over his head. He, then, knows what he needs to do.

So, hopefully, it will gain a following among teenage guys.

How important do you think it is for a writer to have an agent? Do you have one?

I don’t have one. Someday, I may need one. But, I know, ultimately, an agent’s allegiance is going to be with a publisher first and me second. So, I’ll have one of my attorney buddies riding herd over my end of the contract.

Your blog, Sushi Tuesday, has several contributors. Would you please describe how you met and why you decided to blog together?

Sushi Tuesday came into existence because I got to a place in life where all I was seeing were students and patients, and I needed more. So, I called a fraternity brother of mine that taught in another department and suggested lunch. He agreed, and we went to a sushi bar on a Tuesday. And, we’ve been meeting ever since. Our group has grown. We include an English professor, a music professor, a violin instructor, a sociologist, two psychologists, a lawyer, and a physician. We’re like Cleveland, Tennessee’s version of the Algonquin Roundtable.

Out of the luncheon came the idea for the website. I’d dabbled with blogs before that and had been unsatisfied. And, then, it dawned on me that I could replicate on www.SushiTuesday.com the op/ed column I’d done before for the Cleveland Daily Banner, at www.clevelandbanner.com. As such, the site was born.

Initially, I did all the writing and I garnered some good hit numbers. So, I invited one of my former students, Ashley Ledford, to write a weekly column. Then, I found Dr. Niama Williams on BlogTalkRadio, at www.blogtalkradio.com and invited her to write for the site. I found Dave Tabler and his Appalachian History blog at www.appalachianhistory.com , when I wrote a piece called “What’s a hillbilly?” Soon, he was writing for us. Then, I attended a meeting of the Cleveland Writer’s Guild, where I met our Poet-in-Residence, Celia Shaneyfelt. And, then, I found another fraternity brother, Michael Evans, on Facebook and found he’d already written a novel. He was the next piece of the puzzle.

Meanwhile, I was diagnosed with Type II Diabetes and soon found I couldn’t crank out a piece daily. So, I devised a system where each of us take a day and have a separate section for features. Dave’s podcast runs on Monday. Ashley’s column runs on Tuesday. Michael’s column runs on Wednesday. Celia’s poetry runs on Thursday. And, I bring up the rear with my column on Friday. Concurrently, we feature short stories from students that run the entire month.
It’s a strength-in-numbers thing and, so far, it has worked. We now have a core audience that visits the site, as well as derivative audiences through SinfoniaCircle, Twitter, and Facebook. Sushi Tuesday is a literary honkytonk, that place where writers can try out new material, figure out what works and what doesn’t, and cultivate an audience along the way.

We’re not quite Frank, Sammy, Dean-o, Peter, and Joey. But, we’re getting there.

What do you think of e-books and e-book readers like Kindle? Are any of your books in e-book form?

I believe e-books and e-book readers are the organic extension of a revolution equivalent to the invention of moveable type.

When Muddy Waters invented electricity[in music], a seismic shift occurred in music. For most of music’s history, professional musicians labored under the whims of the patrons who fed them. But, when kids named Paul and John and Mick and Keith and Roger and Peter and Eric and Stevie Ray were able to take their Stratocasters into sleazy little dives and play until their fingers bled, they were able to develop their craft on their own terms. And, the world has been a better place because of it.

Likewise, for most of literature’s history, you’ve only had a free press, if you owned the press. And, now, thanks to the Internet, POD publishing, and e-books, now everyone owns the press. I remember having classmates tell me that instructors had told them that, if they wanted to get published, they had to sleep with them. I’ve seen way too many effete academics excuse their inadequacies by proclaiming, “I write; therefore, let them learn to read.”

Those days are gone.

Now, a writer can control his/her own destiny. A writer can tell his/her story, regardless of whether it’s politically correct or whether he/she was born in the right neighborhood.
And, that’s a very liberating thing.

Presently, I don’t have any of my titles in e-book format. But, eventually, I will. E-books democratize the message. Everybody gets to speak.

Will there be some garbage printed along the way? Sure. But, there will also be some mighty fine writing rise to the surface that would have otherwise been squelched. And, that’s what scares the old literary establishment. Oh, heavens, everybody’s work will be on an even playing field; my work will be judged on its merits, and not on how pretentious my pedigree is. Oh, no!

Your books were published by Xlibris. Would you tell our readers what you think of this publisher and why you decided to go with them?

I chose Xlibris for a few reasons. There are any number of local printers who can stamp out a few dozens books and hand them to you. But, do they provide all the extras (LOC cataloging, copyright, etc.) that legitimize what you’re doing? And, once you have your box of books in hand, then what? For me, flexibility of distribution was a key factor. As an extension of Random House, I figured Xlibris would not be a fly-by-night operation. And, with the print-on-demand set-up, combined with the global reach of the Internet, I knew Xlibris would allow me to market my books worldwide, without inventory issues. And, so far, Xlibris has exceeded my expectations. I would recommend them to anyone.

I want to thank Tim Hooker for spending time with us today. Again, if you have any questions please ask them and please if you stopped by to read this leave a comment for Tim. It's like applause.:) Also, anyone who leaves a comment has a chance to win the contest for his book: Rocket Man: A Rhapsody of Short Stories. If you go to his blog you can read an excerpt of it.

Thank you to my new readers. It's wonderful to be reading all of your blogs too! Of course, to the readers who have been here awhile, thank you too. I love writing, so it's great that you like to read it too.:) I will be announcing the next interview tomorrow.

Until then, looking forward to seeing all your questions and comments and you could be the winner!!!